Things I Have Forgotten

It’s 2:52 am. Tomorrow I have to give a presentation on whether or not Richard Nixon was the father of the modern Republican party and take an exam over the entirety of the Iliad. In my procrastination to prepare for both of those things, I’ve found myself going through old folders on my computer. I came across this short assignment that I turned in for an autobiographical writing course during my junior year (I wrote it in January 2019). I don’t know how many people will ever make it to this little corner of the internet or read anything I write, but I want to put it here, even if only for myself. The prompt is right there in the title — we were asked to write about things we had forgotten.

Some of the things I no longer remember are of little importance to me now, and I don’t mind that I’ve forgotten them. I couldn’t tell you how to solve differentials or integrals in AP Calculus, or which numbers I chose to set as the combination to my middle-school locker, or what I scribbled down with invisible ink in that fuzzy pink journal I got for Christmas in the second grade. These details of my life have eroded with the passage of time, and I do not lament their loss.

But there are other things, too, more lamentable things. I cannot say that I fully remember now, in my twenties, the magic I used to find in going ‘snake-hunting’ with my dad and my brother. (This ritual consisted of the three of us hopping on our bikes and pedaling to the creek at the back of our neighborhood, then crouching silently on the banks until one of us spotted a green head sticking out of the water — or, if we were lucky, a body coiled on the rocks in full view — staring in awe until our eyelids felt heavy, and then, finally, hopping back on our bikes to return home once the street lamps came on and the Katydids began to sing). I’ve forgotten what it feels like to wake up under the thick duvet comforter in my childhood bedroom to the sound of rain pattering on the window and the smell of my mother’s coffee cake wafting through the house. (The coffee cake was a delicacy, because it meant that my mother had woken up an hour early to put it in the oven for us). I’ve forgotten who I sat with on my first day of kindergarten, and who I sat with on all the days that followed that one. I’ve forgotten most of the nightmares that sent me sprinting down the hall and into my parent’s bedroom for comfort. I’ve forgotten the way it feels to be a small child with sticky fingers and scraped knees in this unforgiving world. 

I am no longer that sticky-fingered child, but even now I’m living out a life that I will someday look back on through a hazy lens. Even now I forget. Just recently, I found out that I’ve somewhat forgotten how to navigate the streets of my hometown, the same streets that had bordered the map of my life for eighteen years. My friends who stayed in Baton Rouge for college laughed at me when I tried to discreetly enter the name of a popular downtown restaurant into my phone’s GPS because I couldn’t remember the route. Surely, you haven’t already forgotten?

But I think I was overthinking that night, because as soon as I’m alone in my car muscle memory takes over and those streets become familiar again. I let my hands steer without realizing which roads I’m going down, and it all comes flooding back to me. Left blinker, left turn on Broussard Street. Right blinker, right turn on Dalrymple. I use the oak trees and the potholes and that Mexican restaurant under the overpass as my guides. And that field where I had my first sip of Jack and Coke out of a styrofoam cup. And that quiet neighborhood street where my breath was visible in the cold February air as I whispered I love you. And, six months later, on the night before I left for college, that empty lot by the LSU lakes where I parked my car and cried. I suppose there are some things you can’t forget.

[Madonna and Child: Ink on Paper, 8 ½” x 11”]

May 10, 2020

I wrote this a couple of years ago for an autobiographical writing course and never got around to sharing it, so here we are. My mom has since gotten rid of the gray pajama pants with the moth holes in them, but still looks graceful even when she isn’t trying.* Happy Mother’s Day, Momma.

You look just like your mother.

Like many women, I get this line all the time. It never ceases to amaze me how fascinated people are with the simple biological fact that I share half of my DNA with my mother. I’ve never minded hearing it, though. My mom is beautiful. Her eyes are green, with thick brown flecks around her pupils (except for that five year period in her late twenties when she wore sapphire-blue contacts every single day, including her wedding day, just because she liked the color). She has thick, dark eyebrows with a strong natural arch, and she’s never once had them shaped or waxed or threaded because a hairdresser told her thirty years ago that they were perfect, and that she should never let anyone touch them. Even at the age of fifty-four, her hair falls well past her shoulders, like mine. And, like mine, her hair is light brown (except for that one year — was it 2002? 2003? — when the Baton Rouge Serial Killer was targeting forty-year-old women with brown hair; that year, she dyed her hair blonde). Her skin is golden, sprinkled with freckles and sunspots everywhere except for her face. She says she spent too much time in the sun when she was my age, and she’ll always point out the constellations of freckles on her forearms and shoulders as a kind of sermon in the hopes that I’ll use sunscreen. Her fingernails and toenails are almost always painted, and she manages to look graceful even when she’s sitting on the couch in a t-shirt and those gray pajama pants with the moth holes in them, although she would argue otherwise. I almost never have my nails painted, and I don’t have many freckles or sunspots on my arms (yet), but aside from these features we are almost carbon copies of one another: two identical women separated by thirty-four years.

I resemble my mother in some ways, but not all. She’s more laid-back and less analytical than I am, and she spends more time looking up at the world (i.e., less time looking down at books) than I do. I study classic literature, Shakespeare and Milton and Dante; the only author she’ll read is Nicholas Sparks. I like independent films; she prefers to watch Hallmark movies that she’s already seen fifteen times, which, by the way, doesn’t stop her from crying all over again at the sappy, predictable endings upon each successive viewing. Moreover, I find that in my never-ending search for purpose and meaning and beauty, I have to pick everything apart: the final stanza of that poem, the brushstrokes in this painting, the discordant note in that song, et cetera. My mother, on the other hand, simply gazes upon the world and is awestruck with what she sees. I sometimes think that my mother’s interpretation of the world, in comparison with my own, is much more profound in its simplicity. I ask What does it all mean? because I have to. She stays silent because, on some level, she already knows.

One of those times when our differing philosophies of life came into sharp contrast was two winters ago at the Metropolitan Museum of Art — I was, at this time, clinically depressed and desperately unhappy; my mom spontaneously planned a trip to New York and we went, just she and I, to get away from it all. As we weaved through the thousands upon thousands of white marble sculptures, I found myself lingering in front of any given statue for minutes at a time, carefully scrutinizing every detail, every crevice. I tried to tell my mother the story behind many of these statues, rambling on about their literary and/or historical contexts. Super annoying, I know.

Me: This one’s Ugolino, from Dante’s Inferno [note: Ugolino and His Sons; Saint-Béat marble, 4955 lb]. He was imprisoned and starved to death for being a political traitor. His sons, who had been imprisoned with him, die before he does, and he eventually eats their flesh to fight off starvation for just a little longer. But his sons are still alive here, and clinging to him for life. His facial expression looks so pained — his muscles are so tense! because he already knows death is hanging over them, and he’s already contemplating whether or not to go through with the act of cannibalism if / when his sons die first. Actually, I’d say that in this moment he knows he’s going to do it, and he’s feeling the fullness of his damnation. It’s a scene of pure agony.

My mom’s response: He ate his children? Weird.

But even though my mom didn’t recognize Ugolino or Dionysos or Cleopatra, she loved those statues in the Met as much as I did, and was happy enough just to look at the veins of the marble and wonder how anyone could make something so beautiful. I know this because she spent the rest of the night talking about those statues. Can you believe someone actually made those? Besides, there was one recurring artistic subject that she always recognized instantly: the Madonna and Child. In typical Catholic fashion, she was drawn to these religious images more than any others. She spent the longest amount of time standing in front of a little sixteenth-century pietà, a mourning Virgin Mary with the lifeless body of her crucified son draped in her arms [note: Pietà; Alabaster, with traces of original polychromy; 39 x 59 in]. My memory from that evening at the Met isn’t perfect, but I’m willing to bet her eyes were watering as she contemplated that statue. Can you believe, Ashley, someone made this?

In a way, my mom resembles those Madonnas in the Met more than she will ever know because of the sheer profundity of her love. My mom’s father, my grandfather, was an Ob/Gyn, and she asked him to deliver both of her children. It weirds some people out that she didn’t mind her dad being the one to pull myself and my brother out of her body and into the world, but I think it’s one of the greatest testaments to who she is. Her love is unpolluted, unadulterated, and absolutely steeped in the Marian qualities of innocence, purity, and utter selflessness. My grandfather, by the way, always used to say that delivering his own grandchildren was the highlight of his career, and one of the greatest moments of his life.

My mother brought me into this world in an extraordinary show of love, and has continued to do the extraordinary every day since then. In my childhood she filled my world with magic — artificial magic, but magic nonetheless. She used to bury shiny pennies and dimes in the sand before my brother and I took our metal detectors to the neighborhood park. On beach trips, she would walk a few paces ahead of us to drop store-bought sand dollars and starfish at the ocean’s edge when we went “seashell hunting” — only as an adult did I learn that Orange Beach, Alabama was not the seashell haven I believed it to be as a child. She once placed a ripe tomato under the plant I attempted to grow in my backyard after it wouldn’t yield any fruit. The list of such (wo)man-made miracles from my childhood goes on and on and on.

Later, when I was in high school, she would wake up at six a.m., turn on all of the lights, and sit in the kitchen just to see me for a minute or two before I headed out the door. In my sophomore year of college after I was broken up with days before I was to make my ten hour pilgrimage home for Christmas break, she flew in just to sit in the passenger seat of my car with me while I cried. In my junior year of college I learned that she set a lamp that is visible in my upstairs bedroom window on a timer, and that this timer would cause that lamp light up at certain times of the day to make it look as if I still lived at home. All these actions of quiet, steadfast love combined — This is my mom, the woman who, to me, so greatly resembles that Madonna cradling the Christ child in her arms. She isn’t perfect, but she’s pretty damn close (and I’m certainly a lot harder to love than Jesus ever was).

Today, my mom is still the first person I call to say I got an A on my paper! or he finally kissed me! She is also the first person I call on the days when I’m sitting in my car crying and I don’t even know why and I feel so incredibly lonely. She rejoices with me in my good seasons and cries with me in the bad ones, and if that isn’t love I’m not sure what is. Her love is tangible, physical, kinetic; it is an action verb. My mother herself is an action verb. When I picture her in my mind she is always moving. I see her dancing in the kitchen before sunrise as she makes scrambled eggs, swaying, singing out of tune and filling in the lyrics she doesn’t know with her own. Or perhaps she is at the dining room table, leaning over a 1,000 piece jigsaw puzzle, talking aloud to herself as she works and naming the pieces based on their shapes.

My brother is in his last few months of high school now, and my mother continues to do the same for him as she did for me, waking up at six a.m. every day just to see him, to say good morning and goodbye before he’s out the door. I sometimes wonder if she will still wake up at six o’clock in the morning after both of her children have left the house empty. Somehow, I can’t imagine her sleeping in. She will be up, dancing, and cooking eggs.

*Editor’s Note: In the years since this article was written, my mom has also put down Nicholas Sparks and picked up a few of my recommendations for her in his place. As of today, she has read her way through a lovely assortment of novels from some of my favorite female authors, including Charlotte Brontë’s Jane Eyre and Zora Neale Hurston’s Their Eyes Were Watching God. She was working on C.S. Lewis’s Till We Have Faces, but I think the weird names like ‘Orual’ and ‘Ungit’ threw her off. In addition to broadening her literary scope, she has also yielded to my pleas that she watch something other than sappy Hallmark movies. Last month I even got her to watch Parasite, and she. loved. it. Lastly, my parents are, of course, empty nesters now, and even in the absence of the six a.m. alarms I still can’t imagine my mother sleeping in.

Grad Photos: Syd

May 1, 2020

These photos are 25% me knowing how to point and shoot a fancy camera and 75% the fact that Syd is a stunner. Actually probably more like 5% / 95%. Also, I made her take at least 100 “over the shoulder” pictures because look at that dress.